The Letterpress Trail 2015 part 2: Bloodier Than Blood

Renegade was devastatingly bad. If we'd had a 'bad' Chicago show, we still would have made enough money to cover the bulk of our entire trip. As it stood, we broke even. This meant throwing everything (and Jo) into the car right after the show ended Sunday night and white knuckling it to Lake Tahoe to sleep before moving on. I had to figure out how to move money around to cover the next week, how to make the car function as so little product sold and it was packed (now with sand dollars and crab legs) and how to not sob continuously in front of Jo. We found a Motel 6 at 11pm and I tried to settle into sleeping before Monday's 12 hour drive. I won't lie; I felt pretty desperate and angry and trapped on the wrong side of the country. IMG_1369

I left each morning as early as possible so that Jo would fall asleep in her tiny back seat. It made the ride faster for her and gave me a few hours to think and listen to angry songs. The angry songs gave way to acceptance, and by the time Kegler sent Endless Grey Ribbon I mustered the patience and sense of purpose to get through the rest of the morning.

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We spent quite a bit of time on 50, grabbing gas wherever we could just to be prepared. That said, our mouse of a car gets extremely good mileage and it was my own paranoia that made me stop every time we saw GASOLINE. This route is the traditional Pony Express route and there are many tiny towns that haven't aged in 100 years. I don't have pictures of these; while the worn, hand painted signs and once-stately buildings hold a definite charm, the unfortunate deterioration of an economy to support the humans trying to manage them is not. We soaked up what we could to avoid partaking in 'ruin porn'.

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DJ Jen's Musical Interlude: Plenty Times, Wide Eyes, Box Elder, Mother of God

When Jo woke in time to enjoy southern Utah (and it was beautiful) she was ready to rock the rest of the afternoon.

DJ Jo's Musical Interlude: The Party Line, No Cities to Love (this one always makes you feel better, Mom), Nanny Nanny Boo Boo, Stars 4-Ever, Your Cover's Blown

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Right about when we stopped for a break and shot this photo, a rock hit us hard. When we got to Grand Junction we had a cracked iPad, iPhone and now windshield. The Sound of Breaking Glass is very expensive. I had the phone repaired in Denver as it was a lifeline for navigation.

We met up with kind and welcoming Tom Parson who toured us around the Englewood Depot, a former train station he's turning into what will be a fantastic print and book arts center. While in its early, rough stages, there is a full basement with easy access to what will be garage doors for loading in presses and an upstairs for small presses, a library and workspace.

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Then we visited his home and were blown away by his collection of books and everything related to printing.

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A slightly trepidatious Jo heads into the garage to check out the print shop. Every square inch of this place is covered, mostly with type.

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Tom pulled out a lot of treasures to share.

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He's been slowly proofing and cataloging his extensive collection in a few ring bound booklets to keep track of what's there. He's excellent at making notes about whatever he can learn of the type, as well as where he found/purchased it.

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I am coveting these things:

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Then we rode over to visit Jason Wedekind at Genghis Kern, who has just acquired a building he is setting up as a co-working space. This place is right next door.

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The print shop is in the back of the new space and is really coming along.

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Visiting print shops can get old when you're eight, but the payoff was worth it; Jason taught Jo how to always win at tic tac toe. I only wish we'd had room to bring some Old Style.

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There were a few (and by few I mean hundreds) of records left from the former store next to the co-working space which Jason snagged. No longer lonely LPs, these were headed to good homes, including mine.

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From there we went to the home of a former Chicago friend and librarian I had the pleasure to work with a long time ago. It was wonderful to meet little Bea, born about a year after Jo following their move to Denver. Getting a chance to relax, we reminisced over wine and revisited a birth announcement I did for Will. Charles, the older boy on the announcement, celebrated his 15th birthday the day we were there.

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Off again to Kansas City, Missouri.

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Being welcomed in KCMO with a set of gorgeous Hammerpress prints and cupcakes was a real treat in every sense. We chatted a LOT about the state of running letterpress-based businesses and shared stories. I knew there would be a lot of ornamental eye candy to enjoy here.

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IMG_1442Their new retail space is nothing short of stunning.

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IMG_1443Matt, Brady and Kate. Unbelievably great to see them all.

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IMG_1438Top notch storage system.

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IMG_1440The ink drum corps.

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From there we headed to Two Tone Press to soak up the talent of these ladies. Their prints and linoleum cutting ability are out of this world. Sometimes, literally.

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Huge thanks to Michelle and Angie for welcoming us and sharing their work!

Best Western is Jo's idea of extreme luxury (in-room jacuzzi and the Disney Channel), so we slept well in KC. The next morning we hit Little Freshie and made our way to St. Louis.

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This is the home of Firecracker Press, Central Print and the Alpha Beta Club. We got in early enough to park ourselves there for the day and catch up on computer work. Greeted by the sweet sounds of Sam & Dave, this was the perfect, soul-filled balm for a long drive.

Firecracker sits on one side of the building, Central Print on the other and the Alpha Beta Club in the middle. We set up shop there in the middle to be able to see and enjoy everything that happened around us.

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Deep into discussion with Kristina about designing and making zines.

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Central Print hosts summer workshops for teens and these prints are the result of one that involved pressure printing.

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The CP side also sells cards and prints. It's a dangerous section to be in.

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Our office for the day.

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Firecracker initiated the Letterpress Trail map a few years ago (so maybe this traveling around is their fault?). Eric nearly finished ours off as only he would be allowed to, with a giant sticker. You can still get these prints and collect stamps in all the shops you visit.

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We left with some real gems.

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Huge thanks to this great gang for welcoming us and letting us be a part of the atmosphere for a day.

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That night we went to Perennial for a benefit where Jo and Eric's daughter made some clever cork boards and jewelry.

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At First Light we headed out to Columbus. This sign was almost too much. So desperate for Chicago, it was all I could do to turn towards Indianapolis.

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But our time in Columbus at the home of Roni and Scott Moore always feels like home. Jo got quality time at the community pool and the impressive zoo while I went at it making wood type under the patient guidance of Scott.

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So many patterns, so little time.

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Scott has added a laser cutter to his wood type making toolbox and it was fascinating to see it in action, cutting 'new' patterns.

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Here are the patterns for the snowflakes we collaborated on last Fall, as well as some of the laser cut versions.

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I settled on this ornament and set out to make two.

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For these we started with the fine cutting before moving to the rough cut. It's a slow, methodical process that's very easy to mess up. You have to carefully trace the pattern while the cutting side takes care of business.

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Here are the final two. Not bad!

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Then I moved on to the manicules as I don't have any large sets. The patterns can be used to create any size you desire with adjustments on the pantograph. I opted for a set that is 30 picas long (about 5 inches).

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I started with the rough cut on these as you can see on the top piece. The bottom shows the addition of the finer cut, but not the hand finishing that needs to happen to complete the job. Did I mention this is *really* a process?

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I made two sets so I could share one with Matt at Virgin as well as sneaking in some sunsets.

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We hit a huge and scary pothole on the way into Columbus that severely damaged a front tire and we needed to replace both. Of all the places for this to happen, Columbus was the best possible location. I was grateful for Scott's 'dad mode' kicking in as he found a location that could replace the tires immediately. We had to be in Buffalo the next day so our window was small. Scott and Roni are the most gracious hosts and staying with them is always a comforting pleasure. But it was time to move on again. We found a much needed Car Wash on the way to New York and we were off for the last leg Jo and I would share together.

The Letterpress Trail 2015 part one

The Letterpress Trail 2015 part three

The 2014 Letterpress Trail, part two

The next stop on our Letterpress Trail following Cincinnati was Columbus, home of Moore Wood Type, one of two wood type makers in the US and a great friend to Starshaped. Scott's humble workshop is mostly in his basement, where he has just the right set up of equipment, tools (some handmade!) and wood for production. moore12A table full of recently cut type. And a sneak peek of half rounds in the background!

moore11This is Scott's pantograph, next to a trim saw. You can see a pattern set up here.

moore16A box of patterns for catchphrases.

moore18Scott has also been laser cutting wood type, and here is an experiment with creating a border. After cutting a full sheet of finished, type high maple, he can then trim out the individual borders and ornaments. Working with the laser allows for greater flexibility of sizing, not to mention detail in the smaller sizes. And speed!

moore19These are a few new stars sitting on top of the proof sheets of our Moore collection at Starshaped. I brought them to double check our own stock against the new Moore offerings.

moore14Check out this beautiful block ready to be trimmed and carved. You can see the lovely wood grain, and well as a bit of the sheen from the smoothness of the surface.

moore21These are the cutters for carving the final pieces. You can see the range of sizes to accommodate a variety of type forms and counter spaces.

moore20Happily, I got to cut my first wood type! Scott let me choose what I wanted to do, so I picked this ornamental rule that he hadn't done yet. I even got to pick the length; the final piece can be cut to any size, which is the beauty of working with a pantograph. Scott has a notebook of configurations for each of his patterns, and also makes notes directly on them so as to remember how to set the pantograph measurements to cut accurate sizes.

moore1The first cut is the more detailed one, and you can see how the outline of the rule is taking place. After this, the cutter is swapped for a larger one to clear the solid areas that are not part of the design.

moore4Look at me go! I'm using the tracing side of the pantograph to outline the pattern.

moore2Here are the final pieces.

moore5Scott made patterns for an Antique Tuscan, a typeface that's near to my heart and one we've had the longest in the studio. Because I'm missing a few letters, we thought it would be fun to make replacement characters. Here's a box of the patterns ready to be mounted, traced and cut as new wood type.

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moore8After much configuration, we were successful and I was able to make a handful of the missing letters needed to complete my set of 12-line type. It is now at home with its 100 year old siblings.

What a delight it was to visit with the Moores for two days, sharing stories, cutting type and playing with the dogs. Can't wait to see them again!

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finaltuscanAfter Scott checked the fluids in the Fiat, we hit the road to Pittsburgh to visit Matt Braun of the Outdated Press. He's got a cozy shop that's enviable for its tidiness. It's the perfect collection of unique metal type and impeccably restored Pearl presses (and he's got one for sale, folks!).

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outdated7Here are a few of Matt's beautiful typefaces.

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outdated5This is the next restoration project!

outdated11Here's a fine example of Matt's talent with complex forms. Also a project near to his heart; his own newborn's birth announcement! And what a cutie he is.

outdated13Matt took us downtown to the office of Bearded, his day job. They have a fine way of mixing old and new, as web designers with a stellar letterpress studio all in the same place.

bearded9These are just a few shots of their incredible wood type collection. And you're in luck, because many of these have been digitized and are available as part of Wood Type Revival.

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bearded5Four hours after leaving Pittsburgh, we made it to Buffalo to catch a few hours of sleep before participating in the Western New York Book Arts Center's annual Book Fest (read about last year's event here). I was happy to contribute another large linoleum cut for their steamroller printing, which is really a sight to see.

buffalo1Despite the construction, many folks came out to the parking lot to see the steamroller in action. And thanks to the construction, we had a lot of chain link 'walls' to fill with beautiful prints on muslin. You can see my ode to The Queen City 3x3' linoleum cut here.

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buffalo6Everyone got into the action and it was great to engage the younger members of the audience in inking up the cuts.

buffalo3Yep, watching a steamroller print is indeed camera-worthy!

buffalo5Check it out for yourself:

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And here's the final result! All of the prints pulled are for sale at WNYBAC, and the proceeds all benefit the Center. buffalo4Sunburned and exhausted, I took a day off before finishing up our Letterpress Trail in Rochester. Given the amount of type seen that day, I'll be saving those images for their own post! Check back soon.