The 2014 Letterpress Trail finale!

Well, we've come to the end of the road on the Letterpress Trail for this summer, and it ends in Rochester, New York. Hold on to your hats because there's so much type in this post that it's a little mind blowing. While Jo was distracted with family, slip n' slides and ice cream, I headed over to Rochester to visit Amelia at the Cary Graphic Arts Collection, part of the library at RIT. Feeling a little homesick for the City That Works, Amelia kindly pulled type specimen books from my fair city, largely from Barnhart Bros. and Spindler. Their first building was a block from where Mr. Starshaped's theater (the Shubert) is today.

What a treat. What follows are some poor photos (in the interest of preserving bindings) of some of the type I found that I both already have and that which I might die for. We'll start with what I already have in the studio and was happy to confirm as Chicago-born:

I'm missing the bug from this set of ornaments, which is a shame because he's an attractive little fellow.

While I don't have Lightface Era per se, this was a precursor to Pastel, a typeface that I do have in the studio, and one that was popular for silent film intertitles. Here's a sample of what we've done with it.

We've recently proofed up a bunch of catchphrases in our collection, including many that are here.

What follows here is a wish list of things I'd love to have for the studio.

Beautiful forms!

Pretty sure we could recreate this one with little ornaments.

And this is the cream of the crop. Totally speechless over this modular alphabet.

What strikes me most about the BB&S specimen books is the writing. Here's a little sample from various books:

Each book has wonderful samples of exactly what you can do with their type. Here are a few inspirational pieces:

And here's one that features a cyma, or tilda-like squiggle that fills the space next to a capital L (thanks, Nick). You can often find these in hand painted signs and occasionally in the stone signage of apartment buildings around Chicago.

I also found a great ad for the rule bender we currently have on loan from the Platen Press Museum. This handy tool will bend rules to create curved lines in print. For $20...what a steal!

As if that wasn't enough type to delve into, Amelia then pulled out just a tiny bit of their collection of Albert Schiller's work. His ornamental print work makes me want to pack it in. So clever and beautifully printed.

The magical ampersand machine...

This is THE press, which is currently being restored.

After an overwhelming visit to RIT, I made my way to Virgin Wood Type, the second of two wood type makers on our Trail. It was great to see Geri and Matt again; here's their humble pantograph in the middle of cutting a new font.

Boxes and boxes of patterns!

Matt's Ludlow box.

So many beautiful ornaments... how do I narrow down choices?

This is what I left with. These will be in print soon.

Then Geri and Matt took me over to Rochester's Book Arts Center in the Genesee Center for the Arts. What a great facility!

If you're going to explore a wood type collection, is there anyone better to do it with besides Geri? Here are some of her favorites.

Thanks to Virgin for letting me crash yet again and geek out on wood type for an afternoon.

Our last stop on the trip is a sentimental one. Ten years ago Mr. Starshaped and I were married at the Genesee Country Village, a complete historic village that includes a print shop. I try to get Jo there every summer to explore.

Their quirky prints are everywhere around the village and are a delight to see. They are also available for purchase and if you're lucky, someone is around the day you visit to show you how the hand press works.

Maybe Jo wasn't keen on staying behind to help like I told her she would as their new apprentice. But at least she knows her way around a shop!

That's it for our 2014 Letterpress Trail, though it's certainly not an end to visiting more shops as the year progresses. We've got some plans for 2015 already. In the meantime, it's back to the shop with a ton of new treasures to get on press.

The 2014 Letterpress Trail, part two

The next stop on our Letterpress Trail following Cincinnati was Columbus, home of Moore Wood Type, one of two wood type makers in the US and a great friend to Starshaped. Scott's humble workshop is mostly in his basement, where he has just the right set up of equipment, tools (some handmade!) and wood for production. A table full of recently cut type. And a sneak peek of half rounds in the background!

This is Scott's pantograph, next to a trim saw. You can see a pattern set up here.

A box of patterns for catchphrases.

Scott has also been laser cutting wood type, and here is an experiment with creating a border. After cutting a full sheet of finished, type high maple, he can then trim out the individual borders and ornaments. Working with the laser allows for greater flexibility of sizing, not to mention detail in the smaller sizes. And speed!

These are a few new stars sitting on top of the proof sheets of our Moore collection at Starshaped. I brought them to double check our own stock against the new Moore offerings.

Check out this beautiful block ready to be trimmed and carved. You can see the lovely wood grain, and well as a bit of the sheen from the smoothness of the surface.

These are the cutters for carving the final pieces. You can see the range of sizes to accommodate a variety of type forms and counter spaces.

Happily, I got to cut my first wood type! Scott let me choose what I wanted to do, so I picked this ornamental rule that he hadn't done yet. I even got to pick the length; the final piece can be cut to any size, which is the beauty of working with a pantograph. Scott has a notebook of configurations for each of his patterns, and also makes notes directly on them so as to remember how to set the pantograph measurements to cut accurate sizes.

The first cut is the more detailed one, and you can see how the outline of the rule is taking place. After this, the cutter is swapped for a larger one to clear the solid areas that are not part of the design.

Look at me go! I'm using the tracing side of the pantograph to outline the pattern.

Here are the final pieces.

Scott made patterns for an Antique Tuscan, a typeface that's near to my heart and one we've had the longest in the studio. Because I'm missing a few letters, we thought it would be fun to make replacement characters. Here's a box of the patterns ready to be mounted, traced and cut as new wood type.

After much configuration, we were successful and I was able to make a handful of the missing letters needed to complete my set of 12-line type. It is now at home with its 100 year old siblings.

What a delight it was to visit with the Moores for two days, sharing stories, cutting type and playing with the dogs. Can't wait to see them again!

After Scott checked the fluids in the Fiat, we hit the road to Pittsburgh to visit Matt Braun of the Outdated Press. He's got a cozy shop that's enviable for its tidiness. It's the perfect collection of unique metal type and impeccably restored Pearl presses (and he's got one for sale, folks!).

Here are a few of Matt's beautiful typefaces.

This is the next restoration project!

Here's a fine example of Matt's talent with complex forms. Also a project near to his heart; his own newborn's birth announcement! And what a cutie he is.

Matt took us downtown to the office of Bearded, his day job. They have a fine way of mixing old and new, as web designers with a stellar letterpress studio all in the same place.

These are just a few shots of their incredible wood type collection. And you're in luck, because many of these have been digitized and are available as part of Wood Type Revival.

Four hours after leaving Pittsburgh, we made it to Buffalo to catch a few hours of sleep before participating in the Western New York Book Arts Center's annual Book Fest (read about last year's event here). I was happy to contribute another large linoleum cut for their steamroller printing, which is really a sight to see.

Despite the construction, many folks came out to the parking lot to see the steamroller in action. And thanks to the construction, we had a lot of chain link 'walls' to fill with beautiful prints on muslin. You can see my ode to The Queen City 3x3' linoleum cut here.

Everyone got into the action and it was great to engage the younger members of the audience in inking up the cuts.

Yep, watching a steamroller print is indeed camera-worthy!

Check it out for yourself:

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And here's the final result! All of the prints pulled are for sale at WNYBAC, and the proceeds all benefit the Center. Sunburned and exhausted, I took a day off before finishing up our Letterpress Trail in Rochester. Given the amount of type seen that day, I'll be saving those images for their own post! Check back soon.

The 2014 Letterpress Trail, part one

This summer we decided to hit the road and see how many letterpress shops we could visit in a week. Thanks to our friends at Firecracker Press, we have a handy Letterpress Trail map, which is an attractive way to keep track of our stops. We drove down through Indianapolis to Nashville to visit our friend Celene at Hatch Show Print, one of the oldest letterpress shops in the country. It is now housed in an incredible new venue as part of the Country Music Hall of Fame, and includes a gallery and retail space as well as the actual shop.

Jo and Celene messed around with some of the large wood cuts for historic posters.

Check out the beautiful space. Hundreds of cases of types, a handful of presses and a whole lot of gumption (can you say 600 posters a year?)

I took most of our photos at the end of the day so you don't get the buzz of a working shop, but it was indeed humming! Jim Sherradin was still around, working on oversized pieces for the gallery.

This is an amazing wall of wood type that measures over 20 line, or approximately 3.5".

Jo got to hold this large wood type J, as well as hang with the shop cats, Huey and Maow.

We had a fantastic time exploring Hatch, not to mention enjoying the tasty pulled pork that was on deck after the shop closed. Can't wait to visit again.

Our next stop in Nashville before heading out was to Isle of Printing. We're big fans because they are fellow Press Bikers, with a mobile station on wheels as part of their Our Town project. Check it out!

This giant press was used for a project we got to see on the outside of the building. Do you see something vaguely pie shaped?

They have a large shop with tons of space for printing as well as exploring their numerous public art projects that are taking over Nashville.

And here are the pie shaped prints, pasted on the wall outside! One might think Jo coordinated her outfit for this shot with Bryce, the leader of the gang.

After our stay in Tennessee we headed up to Cincinnati to visit Steam Whistle Letterpress, friends we made while at the National Stationery Show. Brian has a fantastic shop in the Over The Rhine area of the city, and makes some lovely, vintage-inspired prints and cards with metal type, wood and hand carved cuts, all things we can get behind.

We took the opportunity to pick up some great cards and talk shop. Brian's awesome business cards fold into actual steam whistles, and he paused a moment to show Jo how it worked. How's that for branding!

Another friend we made at the Stationery Show was Maya from Visual Lingual. She is one half of the team that makes seed bombs, little portable gardens you can plant anywhere! We picked up a few sacks and can't wait to get them started. You can find their work all over Cincinnati as well as nationwide.

And luckily for us, Maya pointed us to the American Sign Museum, a glorified warehouse full of signage from around the country that has been rescued from the dump and obscurity. This is a must stop for anyone interested in Americana, neon, sign painting and letterforms.

We'll be back soon with Part Two of our Letterpress Trail, which picks up in Columbus!

The APA Goose 2014

It's always a treat to drive up to Hamilton for a visit, especially when it involves seeing our print and type friends from the Amalgamated Printers Association, a group I've been a part of for 10+ years. After cutting school early, Jo and I hit the road. If this shot doesn't ring a bell, maybe this image from a favorite album will hint at our inspiration. Our little fiat is well traveled. After checking in (and yes, Jo gets a pretty special badge), we found our friend Scott from Moore Wood Type already at it, cutting type and doing demos for onlookers. He also brought a lot of his patterns for people to see so they could learn about the process of pantograph cut wood type.

Love these star patterns. You can see the 6 pointed Chicago style star (which Scott named 'Jo's star') down in the corner.

We found our friend Jason of Genghis Kern trying his hand at the pantograph.

Another workshop about wood engraving was also going on, and everyone there carved into blocks that were ultimately cut as letters for Wayzgoose 2014.

Friday I finally got the opportunity to teach a workshop with a longtime friend and talented printer, Jessica Spring of Springtide Press. We worked with our class on two projects: the first was to contribute a page to a meander book and the second was to print type as pattern to then cut and weave. Jessica led the way on the book, setting up the form on press and then demonstrating how to cut and fold the single sheet into a book.

Here are a few of the serious ladies pulling type for the print and paper weaving.

Here's our good friend Erin of Inky Winke trying her hand at a little opaque white ink.

Our prints were a bit wet, but we were able to trim them down to start weaving together. This creates an entirely new kind of print that can be trimmed to a smaller, square size, functioning as a piece of art in its own right.

Mary Alice used a few different sheets of paper for her prints (and some attendees swapped with each other), and ended up with a very patriotic weave.

Rich from P22 (and also responsible for spearheading the digitization of Hamilton's type for the HWTF) was there, showcasing his latest project. Borrowing the Cloister Initial matrices from RIT's Cary Collection, he worked with Greg Walters in Ohio to cast whopping 120 point versions of the beautiful initials. Bringing a set to Hamilton to share, he also printed a broadside with all of them; you can see a snippet of it below with the S and P we came home with.

Friday night, Greg Walters (who cast the above initials) gave a talk about foreign type specimen books and brought a large selection from his personal collection. Below are just a few shots of the pages I found incredibly inspiring, including these magnificent brass rules printed in multiple colors.

Greg mentioned many trends, including the predominance of art nouveau faces, which all but escaped American type founders. There were also many thick and heavy, multi-color patterns and borders.

After the conference, I realized I didn't get any full shots of the group. Luckily, an APA group photo is always taken, and hopefully we'll see that soon. There's been a sea change in the APA. Can you guess what it is?

Before checking out for the weekend, we got a little sneak peek at Tom Walker's incredible series of baseball-inspired pennant prints. Incredible and detailed work, with a hand built box to boot.

As always, we had a great weekend in Two Rivers, and look forward to November when we're back again. And next year the APA Goose will be in Chicago, and it'll be incredible so mark your calendars.

Matching type nerds!

Master Class - July 2014

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