Alphabets are Go!

It's a pleasure to announce that the ornamental alphabet I built over the summer will soon get the royal treatment in book form. Co-published with Wells College Press, An Alphabet of Sorts is now available for presale, to be delivered in the Spring. To celebrate this collaboration, here is the Prospectus, which features all of the exciting details of what's to come. All fitting within a 6x9" page size, this is one of the tightest and most elaborate forms I've built in a while. Given the amount of information that needed to be conveyed in a small space, the type is largely 8 point and under. The previously set ampersand makes another appearance here.

For the title, I set SORTS from 6 point square ornaments and added asterisks in some corners to soften what would normally be a smooth curve. ALPHABET is set in Cleft Gothic, a Chicago-based typeface designed about 120 years ago. I liked that it was small and gothic but had its own bit of ornamentation going on.

The main paragraph was set in 6 point Bernhard Gothic, both Light and Medium, and gives an overview of the forthcoming book. I'm so pleased to have Paul F. Gehl of The Newberry Library on board to write the introductory note to this endeavor!

Since I'll be printing the cover and end papers as well on gloriously red Italian paper, I've been experimenting with creating a smaller alphabet unique from the large one that will be featured inside. One idea is to reverse out an alphabet from ornaments on a smaller scale. This would be a nice juxtaposition to the main letters and present a new challenge to designing a set of letterforms.

The bottom of the prospectus contains the nitty gritty details of the book. You may recognize the name of this guy listed here, now comfortably stationed at Wells.

Presales are going strong, and the edition is expected to sell out! I will be finishing the printing by the end of the year so that binding can begin. Books will be delivered around May Day, 2015. I'm happy to send the above Prospectus; just contact me with your address!

Days Like These...

Hard to believe, but it's nearly time to think about 2015 calendars. For the last few years, we've created two different wall versions, and 2015's are ready to go! The first features a checkerboard pattern made of reversed wood type, along with another pattern created from wood borders. You can see the lovely texture and overlapping effects in this close up. The inks are all translucent enough to show the different layers of print.

2015 is set in Gothic Round, a typeface we have in limited quantities and that doesn't often see the light of day. Here it is coupled with the borders.

The calendar pages are not letterpress printed (sorry), though they are built from scans of the type in our collection. Printed on text weight paper, there's room for writing little notes before tearing off the page as the month comes to an end.

The second calendar features a Superchunk quote that often pops into my brain when driving the Starshaped Fiat. So it combines both of those things (though the Fiat here is an original 500....someday).

The image started as a sketch that was then resized and transferred to linoleum to be cut. This was a tiny one!

Here you can see it sneaking through the wood type city on its way out of town! This calendar also features tear off months.

Both calendars measure 8x18" and are printed on heavy gray chipboard in four colors. They are currently available in our etsy shop. We printed a limited run of both, so get one while you can... no reprints on these!

Metal Type Class is Back!

We're pleased to offer two Master Metal Type Classes this Fall! This is a great opportunity to learn a bit about the history of metal type as well as get your hands dirty with it, as we'll be making a project as part of the class. Choose one of these Saturdays and contact us asap as space is limited! [contact-form][contact-field label='Name' type='name' required='1'/][contact-field label='Email' type='email' required='1'/][contact-field label='Comment' type='textarea' required='1'/][/contact-form]

An Alphabet of Sorts

Back in the Spring, I put together this little print for the Legion Paper Scavenger Hunt at the National Stationery Show (you can read all about that here), and never had the heart to put away the M form. That sparked the challenging idea to create an entire ornamental alphabet that could potentially be turned into stationery and more. So I started in random order to develop other letterforms. Most measure about 21 picas high (about 3.5") with varying widths based on individual letters. I sketched rough layouts for each letter, with some being considerably easier than other. The L is unique in that I specifically used many of our ornaments originally designed for the Lanston Type Company.

Once I got into the flow, the letters practically designed themselves.

And then suddenly there were 26 letters, comfortably living on 3 galleys.

I wanted to include an ampersand because they are perennially popular and it would serve my ideas for the end result of the project. But this form proved to be quite difficult; it looked as miserable as this image while I walked away from it for a bit to revisit ampersand designs that might better inform the outcome.

After a break, this is what came together. Getting all of the angles was pretty killer but the final form was solid. It even includes a tiny 'and' catchword.

Occasionally taking a break from the typesetting, I started printing the actual folded note cards. These didn't necessarily go in order, but the first three did. They are all printed in silver on Stonehenge cotton paper, and include 100% recycled kraft envelopes.

And here the M, slightly updated, makes another appearance.

A few of the details...such lovely ornaments.

The stationery is sold in sets of 6 by the letter, so you can pick your favorite. Great for gifts, too! And of course there's the ampersand if you just can decide.

It struck me that the forms themselves were really beautiful and that they could perhaps be used for another purpose. So after printing each run, I left a little silver ink on them and grabbed the camera. I digitally cleaned up the images to adjust the contrast to best show the ornaments and then flipped the images so they could be read by all.

Then I had these printed digitally as postcards on thick, recycled card stock.

And they're fun to play with! Sold individually, it's easy to mix and match and spell whatever you like. Or, of course, send them as postcards.

We also had some fun punching holes in them to make banners. Here are the adorable and lovely Will and Sido from Ravenswood's own Beans and Bagels.

Beautiful box sets all ready to go. These are available on our etsy site now.

And if you're interested, we can sell letters individually so you can use the actual printed cards as a display. Given that Mr. Starshaped and I will be celebrating our tenth anniversary this week, I put together this grouping for him. See the importance of that ampersand?

Just Add Color. And Linoleum.

Within most letterpress shops you will find both small and large collections of what's affectionately coined 'job shop gothic'. These basic sans serif faces pull a lot of weight and often see quite a bit more action than the most decorative, fanciful wood type faces because of their versatility. At Starshaped, we have a ton of great examples of gothic type, ranging from the worn but well made Hamilton variety, to the less-than-perfect mid-century styles made for basic sign presses. I've been thinking for a while about how to dress up these gothics, and have had some success with past greeting cards. Looking at the run of condensed 15-line type in the studio, I started sketching ideas for adding a layer of ornamentation or texture. Here are the four final cards.

My first step was to proof the actual type that would be the base layer. These are basic carbon paper proofs of the type, with notes about leading for future reference and reprints. Down and dirty, carbon proofs are an easy way to get a glimpse into how the type looks without spending the time of inking up the press.

After that, I laid a thin sheet of marker paper on top of the proofs to start sketching ideas on how to add something to the type. I looked at a lot of Deco-era type treatments for inspiration.

For 'Thanks', I played off of little spotlights in the bottom corner of each letter and how they would look projected upwards.

Each image was then flipped and carved in linoleum. I like to work this way instead of having a printing plate made, as it hones my carving skills and gives the final image an imperfect look. This is perfect for these cards, as I wanted all of the layers to have texture and quirkiness.

As you can see here, I also printed a background texture, which was simply the back side of 15-line wood type.

Seemed like 'Sweet' should have a candy shop feel, hence the scalloped detail and bubble gum pink.

'Sorry' was a simpler affair, and I opted for a subtle wave in each letter.

'Happy' has twice as much happy, as I worked a squat gothic version into the larger one. I really love the orange on this one.

All of the cards are now available in our etsy shop; each comes with a coin envelope for a slightly vintage feel. If you need a little color, look no further than our jazzed up gothic workhorses.